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CD Review - Mark Lush, Midwestbands.com
Give it a listen and discover again what music as an art form is supposed
to be all about!— read
more...
CD Review
by Joe Peters
"Good opener, very punchy…great lyrics (intellectually appealing) to set
the tone of the album."
read
more...
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St. Anne Pumpkin Festival Newspaper Article, September 16, 2005
Pathfinder CD
Review - written by Mark Lush, Midwestbands.com, January 26, 2005
Pathfinder
CD Review - written by Joe Peters November 17-18, 2004
Pathfinder
CD Review - written by Tim Brouk, Journal and Courier, January 30,
2005
Pathfinder CD
Review - written by Scott Smith, Tipp-c, January 2005
Pathfinder CD
Review - written by Mark Slone, thirdleg.net, January 2005
EP Review - written by Mark
Lush, Midwestbands.com
New! Pathfinder CD Review - written by DM Jones, whatzup.com - 2007

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Pathfinder CD Review - written by Mark
Lush, Midwestbands.com January 26, 2005 |
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Musicianship – 9 out of 10
When reviewing a second release for a band, (we previously reviewed
a self-titled project for Tim) I usually go back and read my previous
comments, just to see if my feelings have changed any regarding
the artist and his music. With regard to Tim Harrington’s talent,
I found that I agreed with my previous sentiments! With regard to
the overall quality, a lot has changed! The awesome guitar work
of Tim Harrington shines against the backdrop of excellent rhythm
work that has been created for every song! For that reason, I like
this CD better! Because the sound is more present, and the quality
of the playing is much more evident, I found myself enjoying the
music more, and really getting into the songs! Tim has a way of
blending Hard Rock choruses with smooth, jazzy riffs on the verses.
This combination provides just the right emphasis for hooky, memorable
songs! I should also mention that Tim’s vocals sound really good
on Pathfinder, too. His vocals are also much more present this time
around, and as such, the words are much more distinct. I really
like what I’m hearing this time around!
Songwriting - 9 out of 10
Several of the songs that are included on this release were also
included on Tim’s self-titled release from 2003; those songs have
been given a facelift on this record, and are accompanied by brand
new tunes that mix well thematically with the older material. In
particular, Tim blends the song (Talons of War) seamlessly with
(Soldier Song) for dramatic effect! You have to hear it to really
get the full impact! Tim maintains the dark tone of his lyrical
content, but a lot of the songs on this album seem to have more
to do with love and love lost than his previous release. Maybe my
frame of mind changed from one album to the other; whatever the
case, I didn’t experience the empty feelings listening to this record
that I did when I listened to the other album. I like the songs
on this record, lyrically and musically. I feel they are very representative
of the talent that Tim Harrington possesses!
Sound Quality/Professionalism - 10 out of 10
This is the area where the biggest improvements have been made!
Tim’s first record was good, but it lacked the intensity and the
polish that Pathfinder displays. From the first notes of (All There
Is), you can tell that more thought went in to how every vocal performance
and instrument should sound. The focus is now on Tim’s guitar and
vocal performance jointly, and in my opinion, that’s how it should
be! The mix is good, the tone and timbre of the instruments is satisfying,
and the overall production value is phenomenal. I enjoyed listening
to this record thoroughly, and thought that it was a good showcase
for the abilities of The Tim Harrington Band!
Packaging – 9 out of 10
The packaging for Pathfinder provides a truly professional representation
of The Tim Harrington Band. The photography/artwork is very cool,
and the information included in the insert (lyrics for all the songs
and production credits) is very informative. In short, the CD looks
as good as it sounds! Kudos to the design team!
Favorite Tracks
All There Is
Soldier Song
She’s So Wrong
Wait
Does It Really Matter
Overall Rating – 9 out of 10
I usually make a big deal out of one particular aspect of an artist’s
project. With Pathfinder, I feel like so much has improved, that
I can’t really focus on any specific issue! Instead, I will focus
on the overall quality of this recording! The level of professionalism
has become so high, that I really can’t find anything to gripe about
at all! Well-written songs are performed superbly; those performances
have been captured with awesome production value, and packaged in
a great-looking CD case/insert! What more can you ask of an artist?
I’m very happy to have had the opportunity to review this record.
I think that Tim should be very happy with the way that it turned
out, and should have no problem selling many, many copies! Additionally,
if he can put together a great live show to support the CD, he should
be a hit with fans of many different musical persuasions! Nothing
sells CDs like a good live performance of the songs included on
that CD!
Get your hands on a copy of Pathfinder as soon as possible! It
is a great record that I had a blast listening to! You’ll find something
interesting on several different levels, I’m sure! Give it a listen
and discover again what music as an art form is supposed to be all
about!—Mark Lush, Midwestbands.com, 1/26/05 *Listen to the Tim Harrington
Band on MWB Radio! |
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| From: Joe Peters Date: November 17-18,
2004 Re: Review of Tim Harrington Band CD “Pathfinder” |
All There Is
Track 1: Good opener, very punchy…great lyrics (intellectually appealing) to set the tone of the album.
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Does It Really Matter
Track 2: Very interesting transition immediately from track 1 to 2, not knowing immediately whether it is an addendum to track 1, or actually is track 2…but you don’t make the listener wait too long to get it. [N.B. I think this IS the track that was played on WBAA when I was listening in Vietnam over the Internet.] This track is killer, so it is well placed in that track 2 slot where the killer track often comes on great CDs. Good job.
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A Letter
Track 3: Yep, this no doubt is the Santana-like track, eh? No disguising the influence there, and no need to. Great groove.
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She’s So Wrong
Track 4: I really like the opening strumming on this song, because the CD needs something in just a little different sound mood/mode at this point; and although the song soon becomes a rocker, it doesn’t start out that way, and that’s good at this point. Nice too that it returns to that soft strum later in the song. These arrangements are complex; it is obvious we are dealing with a talented songwriter(s) and a talented band.
Moreover, thus far, the production is flawless to my ear.
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Wait
Track 5: Yet another interesting transition from the fading vocal on track 4 to the start of track 5! Not always do such things work, but here it seems natural and unforced (not trying too hard to be too cute). Nice to have the reggae beat at this point in the album, and great groove with few lyrics to get the point across (“no bra” in reggae style can’t be beat). Fun lead effect; good abrupt ending.
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Rain
Track 6: Bass beginning is again a nice mix of sounds coming at the listener, as one takes in the album as a whole. The attempt to make the guitar or bass sound like rain falling is noted, but again not forced. Interesting use of what I presume are keyboard strings. Yes, you were right, very effective use of the rain and thunderclap, and the transition to the next song with the rain lingering after the bass has faded. Wonderful, artful work that you don’t find often these days. As I think you said, it is somewhat like a concept album, if you will, as the transitions make the album flow as a single piece of work, not just a collection of songs.
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Colors Of Love
Track 7: I like the song, but it is probably for me the least memorable.
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Talons Of War
Track 8: Yep, I like the war footage at the beginning and the taps at the end, as you thought I would, and the last verse is very powerful. The transition to the next track is again flawless and so well done, from taps into…
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Soldier Song
Track 9: My favorite cut on the album, as I am 50 years old and I am in to mellower sounds than when I was a younger man. This is a very powerful song, very moving, and that is what really appeals to me these days. There is a profound message here delivered in a subtle way. Great songwriting; excellent presentation.
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I Don’t Know You
Track 10: Probably my least favorite song on the album, just because it is a harder rock style than appeals to me these days.
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But overall, I can’t say enough good things about the album, and hope to catch
the band live some day. I want to hear the live sound to compare
to the appeal of the album. And the graphics are REALLY GREAT. I
am into the art of an album, so I look at this aspect automatically,
and you have a very appealing layout. The brick theme is superb,
and the shot under the CD itself is perfect. Thanks for the music!
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Journal and Courier
January 30, 2005
Section: Life
Page: 2E |
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Tim Harrington Band celebrates release of `Pathfinder'
Tim Brouk
Staff
Journal and Courier
By Tim Brouk
tbrouk@journalandcourier.com
Tim Harrington's musical journey could already fill a book.
The Lafayette rocker toured Europe in the Army while stationed
in Germany. He made it through Berklee College of Music in Boston.
He engineered projects by Wilco and Eminem.
"I wasn't a fan of rap remotely," recalled Harrington
of his one-day session with the Detroit rapper at a studio in Champaign,
Ill. "But he was a humble and hard-working guy, and I found
new appreciation for his work."
At 43, Harrington's latest chapter takes him to Pathfinder, the
debut album from his latest project, the Tim Harrington Band. The
disc contains 10-tracks of rock-based tunes with flavors of jazz,
blues, Latin and even reggae.
The Tim Harrington Band will celebrate the release of Pathfinder
with a concert at 8:30 p.m. Wednesday at Purdue University's Fowler
Hall inside Stewart Center. Fort Wayne rock act Teays Vein will
open the show.
Pathfinder was recorded in Harrington's home studio as he has as
much experience behind the soundboard as he does on a stage. Harrington's
day job is selling studio equipment in Fort Wayne. He previously
assisted Champaign producer John Pines on the quick Eminem project
as well as the Wilco side of Mermaid Avenue II, a split album with
Billy Bragg. Harrington worked closely with ex-Wilco member Jay
Bennett, and learned a great deal about collaboration.
While Harrington's roots are in rock, his time at Berklee introduced
him to new guitar-picking techniques, better song arranging, classical
music theory and jazz guitar.
"Berklee really helped me hone and refine my skills with working
with other musicians, conveying ideas and writing," Harrington
said.
The tracks on Pathfinder sound very clean and push Harrington's
crunchy guitar licks to the front. "All There Is" kicks
off the disc with some sharp blues riffs, and "Rain" is
the rock epic at 8:19. "Wait" is the most lighthearted
tune as it is about what a guy goes through waiting for his girlfriend
to get ready for a date. The verses are done skillfully over reggae
beats.
Harrington plans on sending Pathfinder beyond Greater Lafayette
for some out-of-state exposure.
Local music fans may remember Harrington from his previous cover
band, Big Giant Head. After responding to a drummer wanted ad at
a music store, drummer Michael Hicks is the only holdover from Big
Giant Head to The Tim Harrington Band. He said this band is "probably
the most serious project I've been involved in."
Hicks' drumming influences come from rock deities including Alex
Van Halen and John Bonham. He is also inspired by swing legend Buddy
Rich and even the quiet music of James Taylor.
"I try to draw from all influences to create something different
than what's out there today," said Hicks, who previously performed
with long-defunct act Common Ground.
Hicks shines in the track "Talons of War" as the music
is written in 7/8 time. After years of 4/4, it took him months to
get it down. Hicks said he can play it a lot better since it was
recorded.
The core of the band is rounded out by bassist Michael Plake. The
band also employs part-time musicians to help fill out the live
sound. There's rhythm guitarist Mike Wildermuth and keyboardist
Jason Bennett. Steve Borghi brings his auxiliary percussion skills
to help flesh out the Latin side of tunes with his congas and timbales.
"I was really pleased with the CD," Borghi said. "I
think the added percussion brings the energy levels up in some of
the songs."
Harrington is happy to have a solid lineup behind him.
"One thing I've learned as a musician: You can't do this alone,"
Harrington said.
If you go
What: Tim Harrington Band CD release concert
When: 8:30 p.m. Wednesday
Where: Fowler Hall-Stewart Center, Purdue University
How much: $10
On the Net: www.timharrington-band.com
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Music Review Tim Harrington Band . “Pathfinder”
by Scott Smith from Tipp-c January 2005
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Music fans may know the Tim Harrington Band from their area gigs or from airplay on local radio. The group has played regional festivals like the Taste of Tippecanoe, Greater Lafayette Rubber Duck Race, and Hot Summer Nights. “Pathfinder,” the debut album, showcases Harrington’s talent as a guitar player and signals a shift from a hybrid of originals and cover songs to an all-original set list.
The opener, “All There Is,” starts off with a grooving bass line and a rocking lead guitar riff that sets the mood for the album. There is a lot of great percussion layered in the mix that adds to the overall sound of the group. The lyrics convey a dark attitude that is consistent throughout.
On “Does It Really Matter,” Harrington gives a somewhat gloomy perspective on life but takes on a positive twist with lyrics like, “Give it everything you got cause there’s nothing left to lose. The world turns on its own; with or without you.”
“She’s So Wrong” captured me with memorable guitar and bass guitar work. Harrington’s vocals are impressive on the verses, however the chorus seems a little weak.
A great reggae vibe and lyrics that are fun and extremely catchy make “Wait” my favorite song on the album. It’s probably the track that would appeal to the broadest range of listeners.
“Rain” and “Colors of Love” flow together with the sound of rain and seem to be meant to be together. Good production makes this marriage work flawlessly. The tracks hint at influences from the past and remind me of 80’s power ballads.
The album is an overall solid effort from a group of talented musicians. Harrington proves to be a songwriter that is capable of combining a variety of genres that appeal to a wide range of music fans. There is something in “Pathfinder” for everyone.
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PATHFINDER - Tim Harrington Band cd review by Mark Slone
- thirdleg.net, January 2005 |
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In mid-2003, a friend of mine told me he was now playing bass with local band Big Giant Head. I didn't give it much thought, Tim Wagoner had played in several cover bands as well as original bands in the few years I had known him, ranging from standard covers to Gwar-like originals (he has an uncanny taste for Gwar's fake blood and will travel many hours to get a taste). At the time, Big Giant Head was to me nothing more than another local cover band, lost in the minions of other cover bands playing every redneck bar in the state. In the winter of '03/04, Wagoner informed me that the band had been working on originals, and gave me a link to check out samples. Then in April '04, Wags let me know via email he would be moving out of state, and his last local show with the band would be that month, and he asked all his friends to come out and party with him. I made the mistake of missing that show, it was the same day as Purdue's Grand Prix, and I was busy with all these other bands playing shows that night. By this time, Big Giant Head was in transition mode, leaving behind the monikor people like myself knew as a mostly cover band, and reestablishing themselves as the original act Tim Harrington Band. Now, with the release of "Pathfinder," I wish I had taken them more seriously in the earlier days. For this is a band that embodies the quality & heart of the midwest, and will have a great impact on putting the Lafayette music scene back on the map.
To understand how this band has become so good, all one has to do is look at singer/songwriter Tim Harrington's background. Learning guitar in his early teens, he honed his skills in the Virgina Beach area. During his years in the Army, while stationed in Germany, he helped form the band "Reflexx," touring across Europe for three years. Tim then earned a degree from Berklee College of Music, and continued at the Conservatory for Recording Arts & Sciences. He has taught everything from guitar to tuba, and has authored a guitar instructional book. His resume includes working with such notables as Wilco, Eminem, Frank Zappa's Mothers of Invention, Arlo Guthrie, and more. All one has to do is read through the bios on the THB website, www.timharringtonband.com, and you'll be amazed that these guys have flown just under the radar for so long, and understand the buzz that is building.
Pathfinder reflects many of the band's influences, such as Kansas, Santana, Jimi Hendrix, and Rush. A mix of jazz, blues, southern rock, latin, and even a little reggae. Lyrically it's very thought provoking, tackling everyday life subjects such as love lost, to the struggles of a soldier's family.
The CD begins with "All There Is." Starting off with a jazz/blues feel, it quickly jams with some heavy guitar riffs, then back to the jazz/blues. A solid start to the cd. The next track, "Does It Really Matter," picks up the pace. I like this song not just because it's well written, but because of it's message. Anybody who's ever pushed themselves to please others will definitely relate. With a guitar solo in the middle (something severely lacking in current rock these days), it's an all around feel good song.
"A Letter" comes in on track 3, and shows the most obvious influence of all songs on the CD. If you heard this song on the radio, you would instantly think it was a new song from Santana. A great song to sit back and enjoy while drinking a Corona. I can see why 95.3 "The Rocket" has these guys on the radio so much.
"She's So Wrong" for me is the catchiest song on the CD. This is the song that runs through my head for hours to come after listening to the CD. It's the first song on the CD I would label as hard rock, and displays Tim's vocal range as he easily switches from aggressive to harmonizing vocals. This is a radio hit waiting to happen. Perhaps I like it so much because I can relate to it so easily in my past..!
Track 5, "Wait," shows the band's diversity with a mixture of rock and reggae. It's also one of the first songs with some great backing vocals from the band. The chorus drags on a bit too long in the end, but you can't help singing along.
The next two songs, "Rain" and "Colors of Love," are the two ballads on the CD, and the two songs with the most emotion put into them. Both songs deal with the loneliness after a break up, somewhat bitter, and yet longing for the past. The music matches the soulfulness of Tim's vocals. At over 8 minutes in length, Rain is truly a modern monster ballad. The songs are joined together by thunder & rain, so as not to lose the mood from one song to another. Colors of Love starts out with piano and has a slower, more bluesy feel. Anybody in one of those moods where you're depressed and don't want cheered up at the moment, will love this slower interlude.
"Talons of War" opens with sounds of warfare, which quickly turns into ripping guitars. Any fan of 70's/80's hard rock such as Kansas, Boston, or even Rush will like this song, not that the music is entirely like them, but the harmonizing vocals are very reminiscent. Though somewhat formulaic, this song is a good combination of classic and modern rock. I could see a video made to this song, with current news headlines flashing throughout.
"Soldier Song" continues the war theme, but instead of having the wartime feel of the heavier Talons of War, this song focuses on the soldiers' families. Anybody with family in the military overseas will fall for this song. It fits the times all too well. With the country split about the war America finds itself in, this song is a unifying one. If this song got out to the right people, it could be the next big wartime theme song. Instead of a video with current headlines flashing throughout, I could see someone like 60 Minutes using this song as background music to one of their stories about American soldiers.
Finishing out the CD with an upbeat is "I Don't Know You." Probably the heaviest and most modern song on the CD, some of the most aggressive vocals and guitar work are saved for this song. But it's the little things, such as the background vocals and the "huh's" and "hah's" that make this song work so well. A solid finish to a strong CD.
I don't consider myself a music critic, and I'm not a musician
to know how well instruments are played. But I can say this CD changed
my mind on a band that I had made a lot of assumptions about in
the beginning. And the quality is superb, far above the usual local
band garage recordings. This is a well written, well recorded CD
from a band with a lot of experience. I personally thank the Tim
Harrington Band for getting me an advance copy. THB will be celebrating
the release of Pathfinder on Feb. 2nd at Fowler Hall (Purdue), with
opening act Teays Vein, at 8:30pm. Logon on to the Tim Harrington
Band website, www.timharringtonband.com, for more information and
for samples from their CD Pathfinder.
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| EP Review - written by Mark Lush, Midwestbands.com |
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As you read the biography of this talented
guitar player, you discover that he is a well-educated musician, graduating
from Berklee’s school of music, and the Conservatory of Recording
Arts and Sciences in Tempe, AZ. He currently teaches music privately
and works part time at Purdue University as an audio engineer (Elliott
Hall of Music). Tim
has worked with and for a number of very talented recording artists!
Now, Tim is branching out and beginning a new project,
called the Tim
Harrington Band; in fact, the debut CD from the band should
be released very soon, and I hope you’ll be able to get your hands
on a copy of it!
I will admit that it was not what I expected
at first. The first song, entitled “All There Is”, begins with a very powerful
opening riff that brings to mind something Steve Vai might lay down! I prepared
myself for a barn-burner, but the opening riff soon transitions into a very
laid-back, smooth, jazzy feel. I was disappointed at first, but as I listened,
the groove got to me, and I began to enjoy the song! The opening riff becomes
the chorus, and it sounds just right where it is! I really enjoy the
song!
This is a recording done by a very professional-sounding band!
There is great percussion work on all of the songs, and smooth guitar work as
well! Reading the influences of this band helps to make sense of the sound that
is conveyed; one of the influences mentioned is Santana, and I can definitely
hear that on this CD. The songs have a sort of Santana vibe; laid back and
mellow, with cool little guitar licks thrown in as accents through the verses.
I am very impressed with the musical skill represented here!
Another influence that I hear as well, especially on the song “Soldier’s
Song”, is the metal band Extreme (popular in the early nineties).
It may be better to say that the song gives that vibe, because I don’t
know if Tim
Harrington was influenced by that band or not. However, it
does have the same feel!
Lyrically, the songs come
off a bit dark; not evil Satan-worshipping dark, but more indicative of
emptiness. Song titles like “All There Is” and “Does It Really Matter” give
hints of that feeling. It’s a bit ironic, too, because the songs are very
soulful instrumentally. Perhaps it’s that yen and yang that helps to make this
such a good CD.
I’m not sure if we got an official copy of the new CD or
not (it’s not due to be released until the 21st of June, '03), but on
our copy, it seems that the lyrics are a bit buried; this is very evident on the
first song, “All There Is”; actually, the rest of the songs aren’t too bad, but
it would sound a bit better if the vocals were a bit more distinct, I
believe.
All in all, this is a great release from a very talented group of
musicians! Tim
Harrington has definitely surrounded himself with excellent
band mates; I hope that we will hear a lot more out of Tim in the months and years to come! He has
submitted a winner, in my estimation! Look for the new release at
Tim Harrington’s shows, and keep checking the website for
the availability of the disc online! It is definitely a keeper!--Mark
Lush, Midwestbands.com, 6/24/03* Listen to the Tim
Harrington Band on MWB RADIO
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| Pathfinder CD Review - written by DM Jones, whatzup.com - 2007 |
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The two most common complaints about local (and even regional) releases are (a) poor recording quality and (b) amateurish musicianship. That's why hearing the Tim Harrington Band's Pathfinder proves refreshing; it's got great production values (courtesy of Harrington's formidable engineering skills) and smooth, accomplished playing throughout. The result is a disc full of energy and highly listenable songs that won't leave your ears bruised after hearing it all the way through.
Pathfinder kicks off with the rock-meets-reggae crunch and sway of "All There Is", a career travelogue about the little brother who flits from school to a disappointing job and finally into the military to find his calling. Guitars stab in and out of the song, punctuating the vocals (and more importantly, adding weight to the lyrics), while the rhythm stays rooted, thanks to solid drum and bass work. A slight Doobie Brothers vibe permeates "Does it Really Matter," while the thumping "Wait" follows its own lyrical advice (Keep it simple / Dress it down) with streamlined rock that's suited for a big stage.
The smoky, sinuous coolness of "A Letter" is complemented by smart and snaky guitar lines, adding dimension to the album with its slow-burn groove. "Rain" brings out the power-ballad big guns, building from a delicate groove to a climactic, evocative guitar solo. It's all tastefully done and sounds great. If you ever wondered what the more introspective side of Bon Jovi would sound like draped in the sonics of vintage Dire Straits, look no further than "Colors of Love". The song kicks into slow-jam overdrive after the halfway point, but it never loses focus.
Another standout track, the acoustic guitar-based a Soldier Song, is an ode to a fallen soldier that doesn't simply lament his passing “the lyrics smartly put you in the shoes of his child, his wife, his parents and a friend'. It brings home the magnitude of a soldier's death in its many facets. The closing "I Don't Know You" blends modern, in-your-face rock with jazzy elements for a satisfying wrap-up. More info is available at www.Tim-Harrington-Band.com. (DMJ)
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